The Armada Portrait of Elizabeth I, c. 1588: the queen in a white silk gown with pearls, her hand on a globe
Elizabeth I — the Armada Portrait (c. 1588). Shakespeare's career began in her England and flourished in James I's.

Glossary

The language of Shakespeare's England — words, oaths, and theatre terms in plain language.

Shakespeare’s English is modern English with the edges still rough: the pronouns shift by social rank, the oaths dodge blasphemy laws, and the theatre has its own vocabulary. Forty terms below.

Words and pronouns

thou / thee / thy / thine

The singular “you” — intimate, or insulting. Thou (subject), thee (object), thy/thine (possessive, like a/an). Superiors say “thou” down; equals say it to show closeness; using it to a stranger picks a fight.

you / your

The plural or formal singular — respectful, distant, safe. The thou/you switch inside a scene is often the whole emotional story.

prithee

” I pray thee” — please, or “tell me.” Prithee, tell me = “please tell me.”

hark

Listen! “Hark, the lark” is not decoration — it means listen.

anon

Soon, in a moment. Also “coming!” — a servant’s “anon, sir” means “coming, sir.”

ere

Before. “Ere the sun rises” = before sunrise.

wherefore

Why — not where. Juliet’s “wherefore art thou Romeo” asks why he is Romeo (a Montague), not where he is.

forsooth

“Truly,” “indeed” — often with an edge of mockery.

marry

An interjection (“indeed!”), from “Mary” (the Virgin) — mild oath, not the wedding.

fie

Shame! An exclamation of disgust. “Fie upon’t!”

tush

Tut — an exclamation of impatience or contempt.

alack

Alas — sorrow, regret. “Alack, I love myself” (Richard III, of all people).

gramercy

“Great thanks” — from French grand merci.

beshrew

A mild curse: “beshrew me” = “curse me (if I’m wrong).” Often playful.

fain / lief

Gladly / willingly. “I would fain die a dry death” (Tempest) — willingly.

perchance / mayhap

Perhaps, maybe.

straight / straightway

Immediately. “Go straight” means go at once.

betwixt

Between.

whence / whither / hither / thither / yonder

Where-from / where-to / here / there / over-there. The directional toolkit.

tarry

Wait, linger, delay. “Tarry a little” = wait a moment.

hie

Hurry, hasten. “Hie thee home.”

list

Listen (verb). “List, list, O list!”

wot

Know. “Wottest thou?” = do you know?

mark me

Pay attention to me — often a cue that something important follows.

soft

Hush, wait a moment. “Soft! what light through yonder window breaks.”

anon, sir (servant’s cry)

“Coming, sir!” — shouted by servants offstage.

Oaths and insults

zounds

“God’s wounds” — a strong oath, clipped to dodge the blasphemy statutes.

‘sblood

“God’s blood” — same trick, stronger.

swounds

“God’s wounds” again — oaths came in a whole clipped wardrobe.

od’s bodikins

“God’s little body” — a mild, almost comic oath.

by’r lady

“By Our Lady” — a mild oath, frequent in women’s speech.

i’faith

“In faith” — honestly, truly.

knave

A dishonest man, a rogue — or just “fellow,” depending on tone.

varlet

A rascal, a low fellow.

bawd

A go-between in shady dealings, originally sexual.

wench

A young woman — affectionate or insulting by context.

coz

Cousin — used loosely for any kinsman or close friend.

good den

“Good evening” (from “good e’en”).

Theatre and print

groundlings

The penny-paying standing audience in the yard — the rowdiest, sharpest crowd in the house.

tiring-house

The backstage rooms (“attiring house”) where actors dressed and waited.

heavens

The painted canopy over the stage, representing the sky — gods descended from it.

discovery space

The curtained recess at the back of the stage for reveals (a bed, a tomb, a statue).

jig

The comic song-and-dance number that closed a performance — Rowley and Kemp territory.

sharer

A part-owner of the acting company — Shakespeare was one, which is why he died rich.

boy player

Young male actors played all women’s roles; women were barred from the public stage.

Lord Chamberlain’s Men / King’s Men

Shakespeare’s company: formed 1594 under the Lord Chamberlain’s patronage; renamed the King’s Men when James I took them in 1603.

quarto

A small-format playbook, printed from a single sheet folded twice. Cheap, quick — eighteen Shakespeare plays reached print this way in his lifetime.

folio

A large-format book, sheet folded once — prestige format. The 1623 First Folio collected 36 plays, 18 of them never before printed.

bad quarto

A garbled printed text, probably reconstructed from memory by actors — e.g., the 1603 Hamlet Q1.

Stationers’ Register

The London guild’s record book: entering a title licensed it for print. Many Shakespeare publication dates come from its entries.

Blackfriars

The indoor, candlelit winter playhouse the King’s Men took over in 1608 — smaller, pricier, more intimate than the Globe.

Source notes