13th century — the name in the records
"Robinhood" and "Robehod" appear as criminal bynames in English records (e.g., William Robehod, 1262). The name is already an outlaw's nickname before any ballad survives.
Eight centuries of the greenwood, in order. Dates of writing and dates of claimed events are distinguished throughout — see the methodology page for the rule.
"Robinhood" and "Robehod" appear as criminal bynames in English records (e.g., William Robehod, 1262). The name is already an outlaw's nickname before any ballad survives.
Langland's Piers Plowman (B-text): Sloth knows "rymes of Robyn Hood." The rhymes are lost; the name is now literary fact.
Andrew of Wyntoun sets "Lytel Jhon and Robyne Hude" in Inglewood and Barnsdale under the year 1283 — a chronicler's dating, not evidence.
Walter Bower's Scotichronicon calls "Robertus Hode" a sicarius (murderer) rising in 1266 — and complains the people prefer his songs to all other romances.
A Gest of Robyn Hode is composed (Child's dating): some 450 stanzas, eight fyttes — the legend's foundation epic.
One of the two oldest surviving ballads exists in manuscript from about this date.
Robin Hood and the Sheriff: a play fragment among the Paston papers — the legend on stage, with a friar among the outlaws.
Richard Pynson's fragments: the earliest surviving printing of any Robin Hood text. Wynkyn de Worde (c. 1506) and Chepman & Myllar (c. 1508) follow.
Robin and Marian preside as king and queen of the May games in parish records — festival figures before they are a love story.
Major's Historia sets Robin in Richard I's reign (ut auguror — "as I conjecture") and gives the first clear "rob the rich, feed the poor" formulation.
Richard Grafton's chronicle makes Robin an Earl of Huntingdon — the nobleman is born.
Anthony Munday's Downfall and Death of Robert, Earl of Huntington: Prince John and Maid Marian enter the legend.
Martin Parker's broadside biography: the Earl of Huntingdon who builds almshouses for the poor — charity at the legend's center.
Percy's Reliques (1765); Ritson's great collection (1795) — Robin as political hero and national heritage.
Walter Scott's novel fixes the modern setting: Richard I, Prince John, Saxon versus Norman — "Locksley" at the Ashby tournament.
Francis James Child's English and Scottish Popular Ballads: Robin Hood as numbers 117–154 — the scholarly canon.
Howard Pyle's Merry Adventures: the legend becomes children's literature.
Fairbanks (1922), Flynn (1938), television (1955–59), Disney's fox (1973), Prince of Thieves (1991), the BBC series (2006–09), Ridley Scott (2010) — the legend's most-seen versions.