The March Hare in a shabby waistcoat with straw behind his ear, pouring tea
The March Hare, 'mad as a March hare' before the Hatter ever was. AI-generated dramatization art — not a historical depiction.

The March Hare

He was mad before the Hatter ever was — the proverb came first, and the Hare has been living up to it for five centuries.

The proverb

“Mad as a March hare” is older than English printing’s golden age — recorded in proverb collections by the 1500s. It refers to the spring behavior of hares: boxing, leaping, chasing in circles during the March breeding season. Carroll didn’t invent the Hare’s madness; he cast it.

At the table

The March Hare is the Hatter’s co-host and chief heckler. His contributions to Chapter VII:

He is, if anything, madder than the Hatter — more impulsive, less logical, quicker to shout. Tenniel draws him with straw tucked behind his ear (a traditional visual shorthand for lunacy — straw in the hair marked the “madman”) and a waistcoat, every inch the country eccentric.

At the trial

The March Hare appears with the Hatter and the Dormouse as a spectator at the Knave’s trial (Chapter XI) — and, in the Looking-Glass world, returns as Haigha, the White King’s other messenger, who whispers Hatta’s prison gossip to Alice.

Hare vs. Hatter

The Cheshire Cat pairs them — “they’re both mad” — but they are mad differently. The Hatter is mad with system: riddles, logic traps, watches. The Hare is mad with energy: shouting, pouring, interrupting. Together they are the table’s engine; the Dormouse is its brakes.

Source notes

From Alice’s Adventures in Wonderland Chapters VI, VII, and XI, and Through the Looking-Glass Chapter VII. The straw-in-the-hair symbolism and the proverb’s 16th-century recording are standard scholarly notes. This site’s Hare illustrations are original AI-generated dramatizations, not copies of Tenniel.