Official photograph of Zohran Mamdani, September 2025
Zohran Mamdani, September 26, 2025. Photograph by Juan Cano for the Presidency of Colombia, identified on Wikimedia Commons with Public Domain Mark 1.0.

Early Life

Three cities before he was eight: Kampala, Cape Town, and New York.

A transatlantic childhood

Zohran Kwame Mamdani was born on October 18, 1991, in Kampala, Uganda, the only child of Mahmood Mamdani — the postcolonial scholar, then building an academic career between Uganda, South Africa, and the United States — and Mira Nair, the filmmaker whose Salaam Bombay! had earned an Academy Award nomination three years earlier. His middle name honors Kwame Nkrumah, the Ghanaian independence leader.

The family lived in Kampala until Mamdani was five, then spent about two years in Cape Town, where his father headed African studies at the University of Cape Town and the young Mamdani attended St. George’s Grammar School in Mowbray (1996–1998). When he was seven, they moved to New York City, settling in Morningside Heights near Columbia University, where his father had joined the faculty. Nair later described the upbringing as “a Third World, privileged, progressive childhood” — a phrase that captures the unusual blend of postcolonial-intellectual circles and ordinary New York schooling.

Schools

In New York, Mamdani attended the Bank Street School for Children and then the Bronx High School of Science, one of the city’s selective specialized high schools, where he co-founded the school’s first cricket team — an early taste for building institutions from scratch. At Bowdoin College in Maine, he majored in Africana studies, graduating in 2014, and co-founded the college’s first chapter of Students for Justice in Palestine — an early marker of the pro-Palestinian politics that would later draw both passionate support and fierce criticism.

Formation

Two threads of the early life run through the later politics. The first is the housing work: after Bowdoin, Mamdani counseled Queens homeowners facing foreclosure, sitting across kitchen tables from people about to lose their homes — the experience he credits with making tenant politics personal rather than theoretical. The second is language and performance: the rapper’s stage presence, the multilingual campaign videos, the comfort in front of a camera. Both were visible by the time he first ran for office at 28.

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