A hand-drawn style map of the elven realm around the school
AI-generated dramatization art — a fictional map.

the realm

One moonlit wood at the center of the map — and everything the songs say lies beyond it.

The Silver Wood

The school’s home: a great forest of silver-barked heartwoods, moonflower meadows, and still black lakes, roughly a month’s walk across. The wood is old — older than the school, older than the moon count — and the elves consider themselves its guests, not its owners. The deep wood at its heart is left entirely alone; even the ward-keepers only patrol its edge.

The wood provides everything the school needs: timber (fallen only), herbs, game (taken sparingly, with thanks), moonwater from its springs, and — the students insist — its particular quality of moonlight, which the starlore professors admit is “measurably silverer” without being able to say why.

Neighbors

The wider world (as the songs tell it)

Beyond the neighbors lie the lands of song: the sunken cities of the western sea, the glass desert where the sun never sets, the nine kingdoms of the far north, and the isle of the first song, where the old tongues were supposedly born. Whether any of these are real is a favorite midnight debate. The archivist’s position: “the songs are true in the way that matters, which is not the way you’re asking about.”

Distances, honestly

The school measures distance in walks (a day’s walk), moons (a moon-month’s journey), and songs (as far as the story carries). The gnome hills are three walks east; the Grey Peaks are two moons north; the human kingdoms are “several songs” south. The faculty considers this system perfectly precise.